Fangs In The Profiteroles

Set in my styles with a beady eye,
I got connections with the underground.-- Bernie Taupin, Caribou


Eddie and Alice Rico are a fortunate couple in their connubial bliss, but the underlying tensions fray their marital complicity almost immediately into the opening of the film. There is anxiety about the adoption (acquisition) of a child to flesh out their near wealthy status as a 50's family was then defined. There is the argument, not successfully suppressed, about the telephone call Eddie receives about harboring your traditional Americana thug, and the untimely meeting with Gino, the revelations of which you would tend to think would make a pack rat imitator wary. Perhaps it does, but if so, Karlson takes the time to show us how Conte keeps it under wraps with one of his truckers who recently had a child himself (no aura of victimization here, not overtly) until he then gets the call from Kubik.

IMBd, user generated, lists the film as shot on location in Miami, seemingly accurate, given the atmosphere of seediness, something that plagues the eastern corridor of the US well into the 20th century, Philadelphia, DC, and the entire state of Florida in particular. This is the state where Sherman (I wrote Grant in error when first published) tracked down indigenous Seminoles for being threats to civil order some years prior to the fictitious panorama of our civil war, but our plastique Disneyland peninsula, not quite the paradise it is cracked up to be, forms an interesting vector between our agrarian and cosmopolitan norms, as well as the subculture of the American mafia, which has yet to be truly demythologized, and will not be by me to any great extent. I cannot speak for Sicily, as my family, on both sides of its peasant roots, is Tuscan, though we interbred with Austrian officiers and thus have a strain of finer bloodlines, not an uncommon thing in the modern struggle for Italian unification.

I am now as sick as the proverbial dog, and suppose this can serve as your intermission and a place to pause in my labyrinth. I missed the Joyce group Saturday without meaning to despite my poorly stated petulance, shaking a defiant fist. I thought tossing my money at patronage would be a good thing for me, without meaning, inadvertently, to recreate a tepid link back to Temple University, and the young instructor is, as I have written, affable, but I am not forming any real sense of acquaintance with the men and women who also pitched their Joyce pennies, and though I am the dumbest shit in the world for sinking myself in quicksand in my various rationales for thinking I'd succeed in an urban environment, I could have plotted my own study of Ulysses had I wished, without spending 500 dollars for a future essay on which I am likely to earn only a forth of that back. I am not claiming that I have Lance's resources or skills, but as a metafiction, the text is not all that intimidating, and like any other classicist, I would have found my way. To paraphrase Charlotte Stant, making myself stupid, in this instance, would have been a virtue. I have to rest and decide if I am well enough for the 6 PM session.

Convalescent postscript: I have yet to read Grant's memoirs, and I meant General Sherman from the start, but I was multi-tasking, getting a huge attack of bronchitis, thinking about Joyce. This is why I substituted the future victorious drunkard scandal riven Ulysses for his more ruthless and efficient understudy.